My way is, i grade my Footage in ACES 1.3 SDR Rec709, but export it after in ACES 1.3 HDR Rec2020 in 1000nits.

This works never 100% and from time to time, you have some bad surprise.īut now, i try it from the other side. Earlier i try to replicate the Youtube HDR to SDR conversion in Davinci Resolve and grad my footage before this self replcicated Node.

Next huge change is how i grade my footage. In short: my new way is just exporting cinemaDNG in MLVapp and grading in Davinci Resolve Studio. Result: Davinci Wide Gammut looks at first sight realy nice but has some huge ugly problems in highlights (especially with clipping), that i can't fix it. I also compared the Davinci own Version 'Davinci Wide Gammut' with 'Aces 1.3'. It is also suprising how fast the cDNG format works in Davinci Resolve, its playable in fullspeed (GPU Speed) with my old computer (3.5K in 23,976fps). So i can throw away my Camera Raw - After Effects - Premiere pro part completely. The result was: the cDNG Vesion looks realy realy similar to the R6 Version and yes also better (natural) than my old version. And i could also campare it with the Canon 5d Mark III: I compare my old Workflow with just inporting cDNG, with the files from the R6. Now, in Version 17 and up, and i can't say why, it works!Īnd i was lucky enough to be able to test the new Canon eos R6. However, until now it has not been possible to use Rec2020 with CinemaDNG, it was always limited to Rec709.

The only Application that can handle it is Davinci Resolve Studio. With Adobe Applications there are no ways to complete a HDR Movie, unfortunately with MLVapp too. I've been search a long time to find the best (quality) Workflow for Magic Lantern Raw data and i changed all again, again: There are many ways to grade this data, but for grading in HDR there are only one way that i know. You can Download my own ACES-HDR-to-SDR-Lut for Youtube 5D Mark III ML Experimental Builds by Danne 5D Mark II ML Experimental Builds by Reddeercity

Arri embedded lut davinci resolve